Les Musiciens du Louvre & Marc Minkowski AMADEUS 2024 : MOZART in Austria
Les Musiciens du Louvre & Marc MINKOWSKI
AMADEUS 2024
MOZART SERIES Mozart series
Symphony symphony
Concerto Concerto
Opera Opera
Musicians from the world-famous French
Orchestra Louvre
Mozart from the Baroque period to the
classical period,
A perfect re-enactment of the Romantic era
and Wagner operas.
A broad spectrum of repertoire
Rediscovering authentic music in the style
of the time with period instruments
Musicians of the Louvre, the pride of
France that has maintained its top position for over 40 years
Conductor Mark Minkowski is showing
monumental performance at opera houses and festivals around the world.
Amadeus 2024
You will encounter the best essence of
Mozart's music.
Les Musiciens du Louvre & Marc Minkowski
Mozart in Austria
Mozart, who already showed proficient
violin skills from an early age, is known to have composed a total of eight
concertos for the violin. However, there is still much controversy over the
authenticity of his works No. 6, No. 7, and 'Adelaide', which he composed when
he was a boy. At the age of 19, he composed five violin concertos, also known
as the Salzburg Concertos.
These pieces are masterpieces of violin
concertos that vividly digest and absorb the various elements that made up the
violin concertos of the time, that is, the various styles and characteristics
of countries such as Italy, France, or Austria, all with their own
individuality. Among these, the Violin Concerto No. 5 is selected as the best
work for its beauty and musical perfection.
The reincarnation and rediscovery of
Mozart, a genius who dreamed of becoming Europe's best violinist.
- Violin Concerto No. 5, K. 219 "The
Turkish"
- Symphony No. 40, K. 550 “Mélancolie”
- Sinfonia Concertante for Violin, Viola
and Orchestra, K. 364 / K. 320d
Les Musiciens du
Louvre
Conductor Marc
MINKOWSKI
Violinist Gyehee KIM
Violist Stéphane ROUGIER
Conductor Marc Minkowski
French conductor
March Minkowski is the Artistic Director of Les Musiciens du Louvre and the Ré
Majeure Festival, was the General Manager of Opéra national de Bordeaux from
2016 to 2021, the Artistic Director programmed of the Mozartwoche from 2013 to
2017, and was the principal guest conductor for the Kanazawa Ensemble Orchestra
in Japan.
Marc Minkowski
embarked on orchestral conducting at a very young age and, at the age of 19,
when he founded Les Musiciens du Louvre, an ensemble specializing in Baroque
music. With Les Musiciens du Louvre, he explored and expanded French repertoire
and Handel before delving into Mozart, Rossini, Offenbach, and Wagner.
He is regularly
performs in Paris, in productions such as Platée, Idomeneo, The
Magic Flute, Ariodante, Giulio Cesare, Iphigénie en
Tauride, Mireille, Alceste (Opéra national de
Paris); Sémélé, The Marriage of Figaro, Messiah, La
Périchole (Théâtre des Champs Élysées); La Belle Hélène, La
Grande-Duchesse de Gérolstein, Carmen, Les Fées (Théâtre du
Châtelet); La Dame blanche, Pelléas et Mélisande, La
Chauve-Souris, Mârouf by Rabaud, Cendrillon,
and Manon by Massenet (Opéra Comique). At the Opéra national de Bordeaux,
he has conducted Pelléas et Mélisande, Mârouf, La Vie
Parisienne, The Barber of Seville, Manon, Les Contes d’Hoffmann,
and Robert le diable by Meyerbeer.
His busy calendar
includes performances throughout Europe, including Aix-en-Provence (The
Coronation of Poppea, The Marriage of Figaro, The Abduction from the
Seraglio, Idomeneo, Don Giovanni, and Il Turco in Italia), Brussels (La
Cenerentola, Don Quichotte, Les Huguenots, Le Trouvère), Geneva (Les Huguenots,
La Juive), Zurich (Il Trionfo del Tempo, Giulio Cesare, Agrippina, Les
Boréades, Fidelio, La Favorite), Venice (Le Domino noir), Teatro alla Scala in
Milan (Lucio Silla, L'Enfant et les Sortilèges, and L'Heure espagnole), Liceu
de Barcelona (Manon), Valencia (Les Contes d’Hoffmann), Berlin (Robert le
Diable, Il Trionfo del Tempo, Mitridate), Salzburg (The Abduction from the
Seraglio, Mitridate, Così fan tutte, Lucio Silla), Vienna (Hamlet and Der
Fliegende Holländer at the Theater an der
Wien, Armide and Alcina at the Staatsoper), Amsterdam
(Gounod's Roméo et Juliette, Iphigénie en
Aulide and Iphigénie en Tauride, Gounod's Faust), London
(Idomeneo, La Traviata, and Don Giovanni at Covent Garden), San
Francisco (Don Giovanni), and Moscow (Pelléas et Mélisande). In January 2023, he conducted the Mozart /
Da Ponte Trilogy at the Opéra Royal de Versailles in Ivan Alexandre's
production, the culmination of a project that began at the Drottningholm
Festival in Sweden in 2015, and was also performed at Liceu de Barcelona and
the Opéra national de Bordeaux.
In recent years,
he has collaborated with various stage directors in the opera world, including
Sir Richard Eyre, Klaus Michael Grüber, Vincent Huguet, Laurent Pelly, Olivier
Py, Dmitri Tcherniakov, and Krzysztof Warlikowski. As part of the Mozartwoche in
Salzburg, he programmed innovative productions, including special presentations
of Mozart's sacred repertoire (Davide Penitente and Requiem,
presented in an equestrian version in collaboration with Barbabas) and Handel
(Messiah, directed by Bob Wilson, later performed at the Grand Théâtre de
Genève and Théâtre des Champs-Élysées).
He has also been
invited to conduct some of the most renowned American orchestras, including the
Cleveland Orchestra and the Los Angeles Philharmonic, as well as Japanese
orchestras like the Tokyo Metropolitan Symphony Orchestra and the Kanazawa
Orchestra Ensemble. He has also led performances with Russian orchestras like
the Mariinsky Orchestra and the National Youth Symphony Orchestra of Russia, as
well as various European orchestras, including the BBC Symphony Orchestra, City
of Birmingham Symphony Orchestra, Mahler Chamber Orchestra, Vienna
Philharmonic, Vienna Symphony Orchestra, Mozarteum Orchestra of Salzburg,
Berlin Philharmonic, Berlin State Opera Orchestra, German Symphony Orchestra
Berlin, Dresden State Orchestra, Bamberg Symphony, Saarland State Orchestra,
SWR Symphony Orchestra, Basel Chamber Orchestra, Maggio Musicale Fiorentino
Orchestra, National Orchestra of Spain, Prague Philharmonia, Swedish Radio
Orchestra, and Finnish Radio Orchestra. Not to mention, he has also worked with
the Chamber Orchestra of Europe, the Mahler Chamber Orchestra, the National
Orchestra of the Capitole, and the Orchestra of the Centre-Val de Loire Tours.
During the
2023/24 season, Marc Minkowski returns to the Grand Théâtre de Genève for a new
production of Don Carlos and conducts a semi-staged version
of Orphée aux Enfers at the Elbphilharmonie in Hamburg. He returns to
the Staatsoper Berlin for three Mozart productions: The Marriage of
Figaro, Don Giovanni, and Mitridate with Les Musiciens du
Louvre, whom he works with throughout the season performing works by Handel
(Alcina at La Scala in Milan, La Resurrezione on a European
tour). He also conducts Johann Strauss’s Die Fledermaus at the Teatro
Real in Madrid and at the Théâtre des Champs-Élysées in Paris. On the concert
stage, he will lead the Karajan Academy of the Berliner Philharmonic, the
Rundfunk-Sinfonieorchester Berlin, the Staatsorchester Braunschweig, the
Dresdner Festspielorchester, and the Kanazawa Ensemble Orchestra.
Les Musiciens du Louvre
Founded in
1982 by Marc MINKOWSKI, Les Musiciens du Louvre revives the Baroque, Classical
and Romantic repertoires on period instruments. Over the past forty
years, the orchestra has made a name by revisiting works by Handel, Purcell and
Rameau, as well as Haydn and Mozart, and more recently Bach and Schubert. He is
also renowned for his interpretation of nineteenth-century French music:
Berlioz, Bizet, Massenet, Offenbach.
Following a
rich anniversary season, whose highlights were a Handel-Gluck gala and the
Mozart-Da Ponte Trilogy at the Versailles Royal Opera House, but also
Offenbach's La Périchole in Paris and Mozart's Mitridate at
the Berlin Staatsoper, the 2023/2024 season will see Les Musiciens du Louvre
make their debut at Teatro alla Scala in Milan in a concert version of
Handel's Alcina, with Magdalena KOZENA in the title role. In the
Italian oratorio repertoire (Handel's La Resurrezione, in Aix-en-Provence
and Hamburg) and in Viennese operetta (Johan Strauss's La
Chauve-Souris at the Teatro Real in Madrid and at the Théâtre des
Champs-Elysées), Marc MINKOWSKI will bring together exceptional vocal casts,
giving a chance to young singers. Under his baton, the orchestra will
also present Handel's complete Concerti grossi op. 3 and an
exceptional recital with Marina VIOTTI at the Théâtre des Champs-Elysées.
After 3
successive albums devoted to Mozart, with his Mass in C
minor (Pentatone, 2020), his 5 violin concertos with Christoph Koncz (Sony
Classical, 2020) and his early opera Mitridate (Warner Classics,
2021), followed by a Rameau anthology with the baritone Florian SEMPEY (Château
de Versailles Spectacles, 2022), the next album by Les Musiciens du Louvre will
be released on the Pentatone label in February 2024 (Alcina by Handel).
Les
Musiciens du Louvre receive support from French Ministry of Culture, from
Auvergne-Rhône-Alpes Regional Council, and from corporate and individual
sponsors. Deloitte France & Afrique francophone supports their 2023-2024
season.
Violinist Gyehee KIM
Korean violinist Gyehee Kim has garnered
international acclaim and recognition for her exceptional musical talents. Her
recent triumphs include capturing the prestigious First Prize and Gold Medal at
the 17th International Tchaikovsky Competition, solidifying her position as one
of the foremost violinists of her generation. Throughout her career, Gyehee Kim
has repeatedly demonstrated her exceptional skills, claiming First Prizes at
esteemed competitions such as the George Enescu, Andrea Postacchini, Munetsugu,
and Gnessin International Music Competitions. She is also a laureate of the
Stuttgart, Torún, Isang Yun, and Tchaikovsky Competition for Young Musicians.
Gyehee's musical journey began at a
remarkably young age, as she was awarded the Grand Prize at the Korean Chamber
Orchestra Competition at just nine years old, becoming the youngest winner in
the competition's history. The following year, she made her debut recital at
the prestigious Kumho Art Hall as part of the Kumho Prodigy Concert Series.
Since then, she has performed as a soloist with numerous renowned Korean
orchestras, including the Korean Symphony Orchestra, Gyeonggi Philharmonic,
Korean Chamber Orchestra, Daegu Philharmonic, and Gangnam Symphony, garnering
significant recognition and acclaim in her home country.
Internationally, Gyehee Kim's artistic
collaborations have been equally impressive, featuring performances with
distinguished orchestras such as the Mariinsky Theatre Orchestra, Russian
National Orchestra, Stuttgart Philharmonic, George Enescu Philharmonic, Russian
Symphony, iPalpiti Orchestra Ensemble, Torún Symphony, Central Aichi Symphony
Orchestra, Pleven Philharmonic, Sudettic Philharmonic, Orchestra Filarmonica
Marchigiana, among others.
Her exceptional talent has been celebrated
through various honors, including being named Music Journal's "New Artist
of the Year" in 2023 and receiving nomination for the prestigious
"Rising Star Series" by the Kumho Asiana Cultural Foundation in 2018.
She has been invited as a guest artist to prestigious events and festivals
worldwide, including the George Enescu Festival, Kronberg Academy, Moscow Meets
Friends - The Grand Kremlin Palace, Mozarteum International Summer Academy, "Sundays
Live" at the Los Angeles County Museum of Art, and The Stars on Baikal,
among many others. Notably, in 2021, she was invited to perform as a soloist
with the chamber orchestra of the Novosibirsk State Opera Orchestra,
commemorating the 30th anniversary of Republic Korea-Russia Federation
diplomatic ties. Moreover, she contributed to the world premiere of Dan Dediu's
"Triple Concerto" during the Opening Gala Concert of the 2020 George
Enescu International Competition in Romania.
Gyehee Kim has had the privilege of
collaborating with esteemed musicians, including Christoph Badea, Yuri Bashmet,
Charles Dutoit, Valery Gergiev, Hilary Hahn, Min Kim, Jamie Laredo, Hun-Joung
Lim, Lena Neudauer, Nils Mönkemeyer, Christoph Poppen, Alexander Rudin, Eckart
Runge, Soyoung Yoon, and William Youn, among others.
Gyehee began her formal violin studies at
age 7 at the Pre-College division of the Korea National University of Arts,
under the guidance of accomplished violinists Bonjiu Koo and Sunny Lee in
Seoul. Subsequently, she pursued further training in the U.S.A. at Curtis
Institute of Music, studying under Joseph Silverstein. She later earned her
Bachelor's degree at Seoul National University, studying with her lifelong
mentor, Young Uck Kim. Additionally, she recently attained her Master's and
Meisterklasse degrees at the Hochschule für Musik und Theater München, under
the guidance of Christoph Poppen and Lena Neudauer as a recipient of the
prestigious DAAD (German Academic Exchange Service) scholarship.
Violist Stéphane ROUGIER (Concertmaster)
Stephane Rougier has appeared on the most
prestigious international concert platforms, including New York, San Francisco,
Tokyo, Beijing, Hong Kong, London, Munich and Saint Petersburg. When he
was fourteen, he became a pupil at the Conservatoire National Supérieur de
Musique de Paris, and after having been awarded his diplomas in Violin and
Chamber Music, he continued his studies in Germany and rapidly made his debut
as a chamber musician as well as a violin and viola solist.
Concertmaster at the Opéra de Bordeaux
since 1999, and guest first solo violinist with the Musiciens du Louvre
conducted by Marc Minkowski, he performs regularly with several French
ensembles both in France and in international concerts. He is frequently
invited to take part in top ranking festivals, such as The Bartok Festival in
Hungary, OperKlosterneuburg in Austria, French May in Hong Kong, the Folle
Journée in Nantes (France) and others in Tokyo and Bilbao. Numerous works
have been dedicated to Stephane Rougier, notably “ Le Snekkar de Feu” by Pierre
Thilloy, based on texts written by the philosopher Michel Onfray. Stephane
attaches a great deal of importance on the realization of contemporary
works by composers who mean a lot to him. Rougier joined the Quatuor de
Bordeaux in 2001 playing alongside Cécile Rouvière, Tasso Adampoulos and
Etienne Peclard,and they have since often toured together in America and Asia.
He also composes film scores and ballet music and devotes considerable time to
teaching Chamber Music masterclasses.
As Music Director of various festivals in
France and abroard, he has brought together some of the world’s best soloists
and Chamber Musicians of our time, such as Renaud Capuçon, Olivier Charlier,
Brigitte Engerer and Marielle Nordman, to share and discover diverse and
original musical repertoires. Stephane Rougier has created many
traditional music groups, including the Meshouge Klezmer Band in which he
plays, composes and sings folk melodies from Central Europe, as well as an
Argentinian Tango ensemble with Juan José Mosalini. Recently he also formed
Balagan a group which plays their own adaptations of the best known Russian and
Gypsy music themes. He is also an actor in Eric Westphal’s play “Mozartment
Votre.”
Equally, he is also very invested in a wide
range of creations like Theatre, Ballet, Baroque and even Electronic Music.
Over and above everything else, through meeting new people, he loves exploring
new horizons and sharing his musical research and discoveries. He has
recorded a number of albums on various record labels, like The Soldier’s Tale
by Stravinsky, Contrasts by Bartok, The Four Seasons by Vivaldi, and “Mozart:
Violin Sonatas” on IBS Classical.
He interpreted Les Huguenots by G Meyerbeer
on Pene Pati’s album released in March 2022, where he was invited to play the
Viola d’Amour. His forthcoming new disc with Jean Jacques Kantorow and
Aurelienne Brauner, released on ViolaViva, is a celebration of Mozart. He plays
the Divertimento in E major K563 and the Piano Sonata no 8 in A minor, which he
specially transcribed for a string trio. Stephane Rougier plays a violin
modelled after a JB Guadagnini which formerly belonged to Véda Reynolds, it was
made by the Strasbourg based violin maker, Julia Messner.
Total seats 2,505
The Concert Hall is the first of its kind built exclusively for concerts in Korea. The horseshoe shaped hall with 2,505 seats and three stories is acclaimed for its ideal acoustics by numerous artists who have a performance here.
Remodeled and renovated in 2005,Concert Hall demonstrates its superb sound in every concert.
By clicking the seats circled in red in the seating chart,
you can see an actual view of the stage from your chosen seat.
1F 1,508 seats
2F 568 seats
3F 433 seats
All performances, except for children-specific ones, are suitable for elementary school students and older. If proof of age cannot be provided, entry will not be permitted regardless of ticket possession or accompaniment by a guardian. (Excluding performances aimed at children.)
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(ticket exchange or refund is not available for delays in entering the venue caused by parking lot congestion)
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Classification | Cancellation fee | Note | |
---|---|---|---|
10 days before the event | No charge | ||
9 days to 1 day before the event | 10% of paid amount | In case of tickets purchased up to 3 days before the performance, there will be no cancellation fee if cancelled on the day of the purchase (call: ~20:00 / visit Service Plaza: ~20:00(Tue~Sun), ~18:00(Mon) / homepage or mobile: ~23:59) |
|
On the day of the event | Seoul Arts Center’s planned event | 90% of paid amount | 2 hours before the event starts (Non refundable at Box Office) |
Rental event | Non refundable | 1 day before the event |
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To cancel a reservation, a customer can check the reservation details in My Page on the website or through Service Plaza (1668-1352).
A customer must return tickets to Service Plaza until one (1) day before event day to get a refund. (Service Plaza Operating Times : Mon 09:00~18:00 / Tue~Sun- 09:00~20:00)